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age
layout encompasses several areas of publication design, but here, we are
primarily concerned with text and graphic placement and white space.
Most
of us do not have art school training in design. But, most of us have
personal computers with some programs which may or may not be successfully
used for page layout. What we must remember is that mere possession of
a personal computer and a basic knowledge of its operation does not make
designers of us all.
When
Robert Altman,
the legendary designer was asked the secret to creating excellent artwork
and publications on Canadian educational television, the following dialog
ensued:
- "So
how about if I start by saying, 'I'm not a professional designer. What
can I do to create good-looking artwork?"
- "That's
great," I answered the host of the show. "And I'll respond
that I'm not a professional designer either, and neither are most DRAW
users. So when we approach a project, we shouldn't try for too much.
We shouldn't try to reach beyond our grasp."
- The
director took off her headset and seemed more interested in our conversation
than how it would translate into a television show. "So you're
saying that I shouldn't try to make a piece of art beautiful?"
- "Not
if you haven't the ability," I answered. "If you're
not a professional, I think it is far more important to make sure that
your art isn't ugly."
Altman,
among a lot of suggestions, provides three basic rules:
- White
Space - space, not necessarily white, should be utilized to
emphasize what is important. A good rule of thumb is that white space
should be at least 60% of your page.
- Bold
- that is, don't use it. Don't use all capitals, don't use bold, or
underlining, use oversized type or print or multiple exlamation points.
Altman says: "When you make everything bold, you lose all hope
of making anything bold. Amateur artists should pay attention to the
simple concept of contrast. An element is only emphatic to the extent
that it stands out over the elements around it. If you want to raise
your voice above a whisper, you don't need to shout." A less generous
designer has suggested that the use of bold, ALL CAPS,
or multiple exclamation points (!!!!) means only that you are unable
to choose the right word or words. Another critic has called this "look-at-me"
design.
- Makeovers
- that is, don't. When you have ugly artwork, do not, Altman suggests,
try to do a makeover. Rather, do a teardown. Take the ugly product and
remove the ugly parts. And keep removing ugly until what is left is
simple, effective, and beautiful.
We
created this advertisement using other advertisements for lawyers
in our local telephone directory.
Altman would
correctly describe this ad as ugly. Other words come to mind: ineffective
and unsightly. Indeed, publication art can be so ugly as to insult
the reader. |
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| On
the other hand, this advertisement for a 1997 Jaguar is beautiful,
pleasing, and effective. There is a lot of white space which only
brings emphasis to the photo and the copy. There is only one bolded
word, Jaguar. And there are no ugly or insulting typeface or graphical
elements. |
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